So, was the comely Selena Featherstone possessed by a pygmy capuchin monkey named Iago?

Not the sort of question one wrestles with on a typical night out. But then, “The Gallerist” strives mightily to avoid any contact with the typical. A fusion of gothic horror, Freudian intrigue and lesbian romance, Fengar Gael’s drama, in a world premiere by Rorschach Theatre, is tantalizingly oddball, though it would seem to require a more effervescent treatment than director Catherine Tripp’s often muted approach allows.
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